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Films
at Other Worlds Are Breathing
The World,
Abused 1
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Bhaile
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Outsider
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India,
2001, 40 min
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Director:
Ajay Noronha
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Director's
Contact: noro69@hotmail.com
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'Bhaile' is an
attempt to illustrate the occurrence of
tourism-related child sex abuse in India. It speaks
to a cross-section of Goa to comprehensively
discuss the issues involved. Its driving force is
the innocence of the child.
The film opens with
the chaos and abandon associated with taking a
vacation in Goa. In the midst of this madness,
children write letters to Santa Claus for their
Christmas gifts and a group of middle aged foreign
tourists arrive. We follow them to the beaches and
their usual hangouts. And just then Santa replies
about his impending trip, money sent for Christmas
and expensive bicycles. This ain't good ol' Santa
riding on his sleigh with a bagful of goodies, but
some 'fatherly' men writing to their 'sons'. In the
course of their stay, the film explores the various
issues involved by speaking with representatives
from the police, the State, the Church, the NGO's,
the judiciary, beachshack owners and some
children.
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at Other Worlds Are Breathing
The World,
Abused 1
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Blanco
es mi Pelo, Negra es mi
Piel
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My
Hair is Black, My Skin is
Black
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Cuba,
1997, 20 min
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Director:
Marina Ochoa
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Source:
ICAIC
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Source's
Contact: internacional@icaic.inf.cu
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'Blanco es mi Pelo,
Negra es mi Piel' captures four moments of the life
of a 95-year-old woman, Maria de los Reyes
Castillo, Rayita. She was the granddaughter of a
slave woman, but her mother was free. She was born
during the years of the Republic. It's the story of
her life, with all the willingness and strength of
a woman in a time of racism and
difficulties.
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at Other Worlds Are Breathing
The World,
Abused 1
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Born
At Home
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India,
2000, 60 min
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Director:
Sameera Jain
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Producer: Sublunar
Films
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Director's
Contact: sameeraj@bol.net.in
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'Born at Home'
observes indigenous birth practices in many parts
of India. The film negotiates ethnography, medical
anthropology and gender concerns. The dai (midwife)
is almost always a low-caste, poor woman. Her
methods are holistic, conceiving of child birth not
as pathology but continuation of organic life. Dais
handle 50% of the births in India. Yet the dai is
the lowest rung of the hierarchies of caste, class
and gender. Her inherited skills are continually
devalued by the mainstream. The film poses a
critical question- why does the state not recognise
the almost one million traditional practitioners in
the country? Gender and class issues are juxtaposed
with images of the postpartum massage, the ritual
bath and the miracle of birth. Mind-body,
earth-cosmos become one unified whole when,
negotiating the nether world of pain and labour, a
new life thrusts it way up into the sun. The dai's
hands are experienced and empathetic as she guides
the process.
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at Other Worlds Are Breathing
The World,
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Brother
Outsider
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USA,
2003, 86 min
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Director:
Bennett Singer & Nancy
Kates
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Producer:
Question Why Films
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Director's
Contact: blsinger@aol.com
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Before Martin
Luther King, Jr. became a national figure in the
USA, Bayard Rustin routinely put his life on the
line as a crusader for racial justice. Rustin's
commitment to pacifism and his visionary advocacy
of Gandhian nonviolence captured King's imagination
in the 1950s. In 1963, with more than 20 years of
organizing experience behind him, Rustin organized
the historic March on Washington D.C. Rustin was
openly gay during the fiercely homophobic era of
the 1940s and '50s; as a result, he was frequently
shunned by the very civil rights movement he helped
create. 'Brother Outsider: The Life Of Bayard
Rustin' chronicles Rustin's complex life story, a
tale of race, prejudice, and idealism at the heart
of 20th-century America. Though he had to overcome
the stereotypes associated with being an
illegitimate son, an African American, a gay man
and a one-time member of the Communist Party,
Rustin eventually became a public figure and
respected political insider.
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at Other Worlds Are Breathing
The World,
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Gujarat:
A Laboratory of Hindu
Rashtra
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India,
2003, 45 min
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Director:
Suma Josson
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Director's
Contact: sumajosson@yahoo.com
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The film focuses on
the post-violence atmosphere of Godhra, which
engulfed Gujarat in March 2002 when more than 2000
Muslims lost their lives. 'Gujarat' examines the
role of RSS and VHP in the present political
scenario. It shows that Gujarat is a fertile ground
for divisive ideologies, skewered economic growth,
high unemployment, despair of working people, poor
standards of development and caste
discrimination.
It traces the rise
of groups and strata who - with generous support
from non-resident Indians from abroad - have been
promoting Hindutatva. The film also talks to the
Vishwa Hindu Parishad and some of its important
mahants. It explores their ideas of democracy,
Hindu Rashtra, the constitution and the status of
the Dalits. At the same time, it explores divergent
perspectives on the issues from the trade
unionists, human rights lawyers and ordinary
citizens. Today Gujarat, tomorrow India. That's the
warning the film gives on the growth of
increasingly fascist tendencies, if they are not
addressed now.
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at Other Worlds Are Breathing
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Resilient
Rhythms
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India,
2002, 66 min
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Director:
Gopal Menon
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Producer:
Other Media Communications
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Director's
Contact: gopal_menon@hotmail.com
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Everyday at least
one person is killed just because he is a Dalit, 3
Dalit women are raped, 9 Dalits are grievously hurt
in caste related violence, countless Dalit workers
are employed as manual scavengers and millions are
trapped in bondage. 'Resilient Rhythms' captures
the life and struggles of Dalits continuing
resistance to discrimination and oppression, their
aspirations and hopes. For them, independent India
has given either nothing or very little.
The documentary is
in digital format with English subtitles, shot in
Tamil Nadu, Andhra Pradesh, Karnataka, Bihar, Delhi
and West Bengal.
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The
Men in the Tree
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India,
2002, 98 min
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Director:
Lalit Vachani
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Producer:
Wide Eye Film
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Director's
Contact: lvachani@vsnl.com
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In early 1993,
Lalit Vachani and the Wide Eye Film team completed
a documentary film, The Boy in the Branch,
for channel 4 Television, U.K. Set at the
headquarters of the RSS in Nagpur, the film was
about the indoctrination of young Hindu boys by a
branch of the RSS, the foremost Hindu
Fundamentalist organization in India. Eight years
later, Vachani returned to Nagpur to meet the
characters from his earlier film. At one level,
The Men In The Tree is a documentary in the
form of a personal revisit where a film maker
returns to the issues, the locations and the
subjects of an earlier film. At another level, 'The
Men In The Tree' is a political documentary on the
RSS and Hindu fundamentalism. It is about some of
the individuals, the stories and the myths, the
buildings and the branches that enable the growth
of RSS and its Hindutatva ideology.
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