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Films
at Other Worlds Are Breathing
The World,
Abused 2
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A devastating
mercury spill by a US-owned gold mine transforms a
quiet peasant village in Peru's Andean mountains
into a hotbed of civil resistance. A courageous
young mayor emerges to lead his people on a quest
for healthcare and justice. But powerful interests
conspire to thwart the villagers at every turn in
this two-year epic chronicle of the real price of
gold.
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Films
at Other Worlds Are Breathing
The World,
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Harvesting
Hunger
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India,
2001, 53 min
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Director:
Krishnendu Bose
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Producer:
ActionAid India
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Director's
Contact: earthcare1@vsnl.com
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Today Indian
agriculture is in a crisis. It's worse than when
the magical seeds of the Green Revolution arrived.
This agricultural system is coming to an end. But
this has made our sustainable agriculture and
lifestyle directionless. Biotech is one alternative
scientists are suggesting. But we have to be
cautious that this, too, doesn't go the way of the
Green Revolution.
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Films
at Other Worlds Are Breathing
The World,
Abused 2
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Ragi
Kanako Bonga Buru
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Buddha
Weeps in Jaduguda
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India,
1999, 55 min
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Director:
Shriprakash
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Producer:
Kritika
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Director's
Contact: kritikashri@hotmail.com
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Jaduguda is India's
only productive uranium mine. Almost 30 years of
mining have resulted in excessive radiation and
contamination of water, land and air. 'Ragi Kanako
Bonga Buru' is an attempt to record how the lives
of the people of Jadugoda have been turned into a
veritable hell.
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Films
at Other Worlds Are Breathing
The World,
Abused 2
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Suits
and Savages - Why the World Bank Won't
Save the World
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UK,
2000, 38 min
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Director:
Zoe Young and Dylan Howitt
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Director's
Contact: zoe@esemplastic.net
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Penetrating the
smokescreen of a global bureaucracy ... 'Suits and
Savages - Why the World Bank Won't Save the World'.
The Global Environment Facility (GEF) looks
promising on paper- it offers two and a half
billion dollars from the world's governments to
spend on global green aid and an inclusive,
democratic model of goverance. But does this newest
of the international financial institutions live up
to its own rhetoric? 'Suits and Savages' looks at a
GEF/World Bank 'ecodevelopment' project from the
ground up - travelling between one remote tribe in
India to another more powerful one in Washington
DC; spanning the gulf between their environments
with a video letter from the forest to the Bank.
Based on research from the University of Hull, UK,
assisted by the Economic and Social Research
Council.
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Under
the Sun: The Transient Fisherfolk of
Jambudwip
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India,
2003, 36 min
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Director:
Rita Banerji
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Producer:
International Collective in Support of
Fishworkers
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Director's
Contact: dustyfootindia@yahoo.com
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Since 1955,
Jambudwip, a 20-sq km island in the Sunderbans
delta of West Bengal, has been used as a base for
fishery operations and as a fish drying site,
mostly by small-scale fish workers. The largest
stake-net fishing operation in the Sunderbans is
based in Jambudwip. However, this traditional
source of livelihood is now under serious threat.
It is being alleged that the seasonal "occupation"
of the Jambudwip island by fishermen and the
fish-drying activity is a non-forest activity that
cannot be permitted under the Forest (Conservation)
Act, 1980, without prior approval of the central
government. The West Bengal government has been
asked to remove all traces of "encroachment" on
Jambudwip island. While the Fisheries Department of
West Bengal has strongly defended the fishermen's
claim to the seasonal use of the island, the
State's Forest Department is bitterly opposed. The
fishermen are now living in the shadow of
uncertainty. Will their traditional fishery be
regularized, or will they be summarily
evicted?
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at Other Worlds Are Breathing
The World,
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Vikas
Bandook Ke Naal Se
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Development
Flows From the Barrel of the
Gun
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India,
2002, 54 min
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Director:
Biju Toppo and Meghnath
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Producer:
Akhra
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Director's
Contact: akhra@rediffmail.com
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A film of the human
right violation of the indigenous people in India,
'Development Flows from the Barrel of Gun'
documents the state violence on the people affected
by the development projects in the country. It
raises the basic question of the whole
understanding of the development taken by the state
under the guise of progress, and when the affected
people question it, they become the subject of the
state repression. The film tries to bring forward
the voices of project-affected people in Kashipur
(Orrisa), Koel-Karo (Jharkhand) , Mahendikheda
(Madhya Pradesh), Umbergaon (Gujrat) and Nagarner
(Chattisgarh). The film tries to find out the
relationship of violence with the new economic
policy and globalization. The film brings out the
people's viewpoint of development, which is
sustainable and stands on the principles "not at
the cost of the people", "not at the cost of
nature". This viewpoint is dramatically opposite to
that of state.
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The World,
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Ways
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Israel,
2002, 17 min
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Director:
Romi Kaplan
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Producer:
Radical Media
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Director's
Contact: romi@radicalmedia.tv
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Land in Israel is a
politically contested commodity. The government of
Israel has commissioned a massive toll road
building project called the Trans-Israel Highway.
The route of the road is set to traverse almost the
entire country affecting many different settlements
and disrupting a number of important natural
environments and historic sites. In Israel land is
not only the focus of political debate in the realm
of environmentalism, but also the essence of
political debate regarding nation building,
historical memory and statehood. 'Ways' follows the
coalitions formed in protest against the
highway.
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The World,
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Words
on Water
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India,
2002, 85 min
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Director:
Sanjay Kak
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Producer:
Octave Communications
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Director's
Contact: octave@vsnl.com
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Shasan valo, sun lo
aaj - hamare gaon mein hamara raaj (Listen to us,
you who rule our villages, we control). For more
than 15 years people of the valley have resisted a
series of dams on their river, and in their
struggle have exposed the deceptive heart of
India's development politics. The struggle has
forged unusual alliances - Adivasis in the hills,
farmers from the Nimad Plain, sand quarries and
fisherman on the river, and middle-class activists.
They stand against a powerful apparatus: Ministers,
Magistrates, Police Commissioners, the World Bank,
and multinational corporations. The film was shot
over a period of two years, after the Supreme Court
lifted the stay on the construction of the Sardar
Sarovar dam, and pushed the resistance into its
most crucial phase. 'Words on Water' is about a
sustained nonviolent resistance which empowers the
people as they struggle for their rights yet saves
them from the ultimate humiliation of
violence.
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