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Films
at Other Worlds Are Breathing
The Global
Market
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Diverted
to Delhi
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Australia,
2003, 55 min
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Director:
Gregory Stitt
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Producer:
Kachin Holdings
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Director's
Contact: gregstitt@ozemail.com
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'Diverted to Delhi'
is about Indians working in Delhi's call centres
who are taught to speak and think like their
international customers. When unsuspecting American
or Australian consumers ring customer service,
their local calls are often re-routed to India, and
answered by Indians impersonating local telephone
operators. This well-guarded secret, called
outsourcing, has its comical side, but critics see
more sinister implications. For them, India is
being recolonised by the forces of globalisation,
as college graduates are forced to put aside their
cultural identity, modify their accent, change
their name, and take on the personality of whoever
pays the bills.
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Nat and John bypass
the supermarket shelves and head straight for the
'just beyond the use-by-date' stuff in the bins out
back.
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Globalisation:
Violence or Dialogue?
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France,
2001, 62 min
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Director:
Patrice Barat
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Producer: Article
Z
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Director's
Contact: patrice.barrat@articlez.fr
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September 11, 2001
... After thousands of deaths occurred that day in
New York and Washington, some talked about a
confrontation between good and evil, or a war
between religions. Pretty soon, it was also said
that this particular act of violence, those
suspected of committing the attack, and its
consequences, were related to globalization. At the
beginning of the third millennium, opposing visions
of globalization confront each other at the
slightest opportunity. Between North and South and
between what's called civil society and the
powers-that-be. For almost a year, the filmmakers
have followed different actors in this conflict and
sometimes brought about encounters. What they are
proposing therefore, is to try to understand what
separates them and what could bring them together
...
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The Global
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Inheritance:
A Fisherman's Story
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Australia/Hungary,
2003, 52 min
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Director:
Peter Hegedus
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Producer:
Soul Vision Films
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Director's
Contact: soulvision@bigpond.com
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In the year 2000,
the Hungarian River Tisza suffered a monumental
ecological disaster. Now fisherman like Balazs
Meszaros battle to survive. In an effort to save
his people and their way of life, Balazs travels to
Australia to confront the mining company
responsible.
The 'Inheritance'
counterposes the struggle for justice by the people
who are the human tragedy behind the headlines
against the very grim reality of corporate
accountability and responsibility.
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I
am a Rebel
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South
Africa, 2003, 53 min
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Director:
Vincent Moloi
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Producer:
Ben CashDan, Seipone
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Director's
Contact: hamoloi@yahoo.com
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An eighty year old
activist who was a key anti-aparthied activist is
now confronting his former comrade in the struggle
against apartheid. He believes that they have
betrayed the principal of people before profit. He
is joined by a naive young filmmaker who is trying
to unravel him and tries to understand why he is
still on the street demonstrating while his
comrades have taken offices in the government and
with institutions like the World Bank. Will the
young filmmaker unravel the 80 years of Dennis
Brutus?
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At the beautiful
seaside resort of Cancun, Mexico, there was a long
barricade to defend the cenference center where the
5th WTO ministerial conference was being held in
September 2003. Amid capitalists negotiations about
their own economic interests, many activists from
around the world joined the struggle against this
greedy WTO conference. The fighting point of this
inevitable showdown was called 'Kilometer Zero',
the point at which the barricades began. In the
middle of a march of farmers from around the world,
Lee Kyunghae from the South Korean delegation
climbed up to the barricade and shouted "WTO kills
farmers!", and this was his last shout.
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The Global
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Kaippuneeru
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The
Bitter Drink
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India,
2003, 27 min
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Director:
P. Baburaj & C.
Saratchandran
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Producer:
Third Eye Communications
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Director's
Contact: sarat@satyam.net.in
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'The Bitter Drink'
chronicles the two year long struggle of the most
marginalized people of Indian Society, the
Adivasis, against the mighty multinational
Coca-Cola corporation in Plachimada of the Palakkad
district in Kerala. The documentary also discusses
India's natural resources, mainly water.
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Making
a Killing: Philip Morris, Kraft and Global
Tobacco Addiction
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USA,
2003, 45 min
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Director:
Kelly Anderson and Tami
Gold
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Producer:
Karla Capers, Infact
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Director's
Contact: kelly@bway.net
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'Making a Killing'
exposes Philip Morris's abuses around the world,
showing how the corporation uses its political
power, size and promotional expertise to spread
tobacco addiction internationally. 'Making a
Killing' reveals Philip Morris's role in the
tobacco industry's deceptive history, its use of
aggressive advertising and promotional tactics in
Eastern Europe and Asia and how the corporation
hides behind the family-friendly image of its Kraft
Foods subsidiary. In doing so, 'Making a Killing'
also reflects and builds upon growing grassroots
pressure for corporate accountability. The film
includes a 15-minute conclusion about the
tremendous success of the Framework Convention on
Tobacco Control, the world's first public health
and corporate accountability treaty.
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Patents
or Patients?
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Netherlands,
2002, 25 min
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Director:
Joost De Haas
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Director's
Contact: jdehaas@knoware.nl
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Yusuf Hamied is the
Robin Hood of the pharmaceutical industry. He
steals medicines from the rich and gives them to
the poor. His company Cipla produces so called
generic medicines, cheap copies of the original
patented medicines of large pharmaceutical
companies from the US and Europe. Is he a thief?
No, patent laws are national laws. Just like the US
decided for reasons of national security that
inventions dealing with nuclear energy cannot be
patented, India decided that medicines cannot be
patented to guarantee a viable health system.
Hamied surprised the world when he offered cheap
AIDS drugs to South Africa. His initiative started
a worldwide discussion about patent rights. Do the
pharmaceutical companies really spend as much on
the development of new medicines as they say they
do? And do they need patents to protect their huge
profits?
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Rahan
Jaljilla
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The
Order
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Finland,
2003, 165 min
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Director:
Harakka Timo
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Producer:
Akimof Lisa, Production
House
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Director's
Contact: timo.harakka@yle.fi
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A middle-aged,
middle class man makes an investment in a Far East
fund and wonders about what his money really brings
accomplishes. He follows his investment around the
world and ends up in Denmark, Korea, Africa, China,
the United States, India and England. He learns
about Mozambique's nut industry, gathers rubber in
the Brazilian Amazon, and participates in the World
Bank's summit meeting in Washington. The small
investor meets the cashiers in the supermarket that
he owns, a laid-off secretary from his company, the
underwear models in Nanhai, a 70 year old stock
market speculator in Shanhai, as well as the people
who pay the price of China's economic decline with
their health. If the world is destroyed, the world
economy might suffer. But he discovers that even
the terrorist attack on the World Trade Center is
good business for a London options
trader.
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150 years ago, the
Corporation was a relatively insignificant
institution. Today, it is a vivid, dramatic and
pervasive presence in all our lives. Like the
Church and the Monarchy in other times and places,
the corporation is today's dominant institution.
All have been crushed, belittled or absorbed into
some new order. The Corporation is unlikely to be
the first to defy history. A timely, critical
inquiry, 'The Corporation' invites players, pawns
and pundits on a graphic and engaging quest to
reveal the corporation's inner workings, curious
history, controversial impacts and possible
futures. Case studies, anecdotes and true
confessions reveal behind-the-scenes tensions and
influences in several corporate and anti-corporate
dramas. Each story, each portrait, illuminates an
aspect of the corporation's complex character. It
is a mix of irreverent, unsettling, metaphoric
graphics, classic documentary elements, and
appropriated corporate aesthetics that engages
viewers while encouraging a critical distance from
the outrageous normalcy of corporate
culture.
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The
Leech and the Earthworm
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UK/USA,
2003, 68 min
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Director:
Marc Silver and Max Pugh
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Producer:
Debra Harry, IPCB
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Director's
Contact: marcsilver@onetel.net.uk
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'The Leech and the
Earthworm' celebrates indigenous world views and
brings to light the global fight against biopiracy
- the new colonialism. From the Cook Islands to New
Zealand, from Vanuatu to the Earth Summit in
Johannesburg, we have been asking indigenous people
for their views on Western science - its vision of
a genetically engineered future and its deep links
with the corporate profits, globalisation and
colonisation. Combining passionate critiques of our
potential futures and living alternatives to the
globalised monoculture with music and stunning
visuals, this film will take its audiences on a
journey into truths they thought disappeared long
ago, inspiring and educating them to ask serious
questions of the collective illusion we call
progress.
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Trinkets
and Beads
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USA,
1996, 52 min
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Director:
Christopher Walker
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Producer:
Debra Harry, IPCB
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Director's
Contact: marcsilver@onetel.net.uk
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After twenty years
of devastating pollution by oil companies in the
Amazon basin of Ecuador, a new kind of oil company
- Dallas-based MAXUS - promises to be the first
company which will protect the rain forest and
respect the people who live there. 'Trinkets &
Beads' tells the story of how MAXUS set out to
convince the Huaorani - known as the fiercest tribe
in the Amazon - to allow drilling on their land. It
is a story which starts in 1957 with the Huaorani
massacre of five American missionaries, moving
through the evangelization of part of the tribe by
Rachel Saint, pollution of Huaorani lands by Texaco
and Shell and manipulation and buying off of
Huaorani leaders by MAXUS. Filmed over two years,
'Trinkets & Beads' reveals the funny,
heartbreaking and thrilling story of the battle
waged by a small band of Amazonian warriors to
preserve their way of life.
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Voces
Argentinas
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UK/Argentina,
2002, 16 min
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Director:
Zoe Young and Dylan Howitt
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Director's
Contact: zoe@esemplastic.net
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Behind the
headlines of economic crisis lie an angry, eloquent
people determined to survive - despite the endless
stream of trouble thrown their way by unaccountable
power elites. Interwoven voices from the streets of
Buenos Aires tell how it feels to be Argentine as
the country plunges from the first world to the
third. Resisting the dire personal and social
consequences with poetry, song, laughter and
practical solidarity, this film records a people
and a city staying very much alive through the very
worst of times.
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